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Weber Clarinet Concertino: Grant Anderson



Concord Orchestra, Concord, Massachusetts. Soloist has been principal clarinet of the orchestra since 1971. Day job: Physicist specializing in transportation-noise acoustics and applied statistics. Recorded May, 1996.

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Комментарии:

Автор StealthTalons (3 года)
wow. You played that very beautifully. I have now played clarinet for 5
years and I have yet to hear any one play that well. That performance was
pretty darn perfect. If only you live in my neighborhood lol. I have an
audition with this piece in a few month, this recording really helped me
feel the how the piece should go. Thank You!

Автор scandal8095 (1 год)
Thank you very much I will definitely try that.

Автор gspenceranderson (5 лет)
I think my tone depends mostly on my double-lip embouchure, plus relatively
soft reeds (#3 Vandoren regular). This combo helps me project to the back
of the hall, where the stereo microphone is located.

Автор Upas Narayan (3 года)
I forgot to ask, Mr. Anderson, but what clarinet/mouthpiece are you playing
on? I am right now only playing on an intermediate Buffet E11 but I want to
upgrade to a more professional clarinet for my competition. Thanks.

Автор MusicJacob (4 года)
Yes this piece if wonderfully played. Especially the ending. Most people
start losing it at the end of the performance due to the difficulty, but
you have made it sound fresh and easy, with a wonderful tone. I have also
learned watching from your finger movements. My fingers usually tense too
much when playing fast runs but if I slightly ease the tension, my runs
become much more fluid and they come out better. Thanks!

Автор SaltGGpepper (5 лет)
i love the little cadenza bit. brilliant - i love this piece. this is the
first weber piece i've played, and i'm really enjoying it. i'm nowhere near
as good as you though!

Автор Upas Narayan (3 года)
Wow! That was amazing! I have been playing clarinet for the past 4 years I
will play this piece for a high school regional competition next year. When
I was just searching for a good recording on youtube, I found this one.
This will be a perfect example for practicing for my competition. Thank you
so much!

Автор gspenceranderson (3 года)
@upasnarayan I play a Buffet R13 clarinet, with a Vandoren 5 RV Lyre
mouthpiece, the thin-black Vandoren ligature (screws on the back), and
Vandoren #3 or #3 1/2 "White Master" reeds. These reeds are thinner than
standard, so their "tip" wood grows closer to the cane bark and hence
"lasts" longer. Buy them on the web. Even if you cannot purchase a new
clarinet right away, I'd highly recommend this mouthpiece, ligature and
reed setup. Have a great time at your competition, Grant

Автор gspenceranderson (4 года)
Thank you for your compliments. And have a fun/successful audition in three
weeks. Grant

Автор trouble292 (2 года)
@gspenceranderson for my personality, they have a great music program, and
I got a lot of scholarship there. I'm going to study music education and
get a bachelors degree there, then transfer to the University of Houston
for a masters. I might go back to school to get a masters in performance
after that, but I'll decide that later. :) Again, thank you for your
comments, and thank you for posting this excellent recording. -Garrett

Автор gspenceranderson (4 года)
You are certainly welcome.

Автор David Calvo (4 года)
excellent!!!

Автор gspenceranderson (3 года)
@monmon079 Thank you for your compliment. And good luck with your Uni
assessment. Yes, I added the cadenza, but didn't make it up on the spot. It
was written down by the clarinetist who played the first performance.
Again, good luck. Grant

Автор clumsyclarinetist (4 года)
I'm playing this piece and absolutely loving it! Mr. Anderson, great job
with this. Way to maintain the lyricism throughout all of the runs, and
your technique and tone is also really nice.

Автор flipalka (4 года)
The tempos are generally slower than I've heard, and I've heard this played
by quite a lot of players. Loses something - kinda boring. I give him a B+.
My personal favorite is (was) Anthony M. Gigliotti (principal clarinetist
of the Philadelphia Orchestra from 1949-1996 .

Автор gspenceranderson (5 лет)
Weber wrote his Concertino for Heinrich Baermann. In turn, Baermann wrote
the cadenza I played, which I found in The Clarinet magazine. Thanks for
your compliment.

Автор gspenceranderson (5 лет)
Thank you very much for your great compliment. I'm happy you enjoyed my
performance. Grant

Автор gspenceranderson (4 года)
Thank you for your enthusiastic compliment. And thank your teacher for me,
too. By the way, a positive aspect of the double-lip embochure is that it
discourages "biting" with your jaw muscles (bloody lips and pain, as you
know). Instead of jaw muscles, a double-lip embochure uses "lip" muscles
all around the mouthpiece (top, sides and bottom). In all, my advice is to
play the clarinet the way your lessons teacher wants you to. Good luck on
your solo contest.

Автор gspenceranderson (4 года)
Thank you for your compliments. And keep up your own practice. Your
film-composition knowledge could have helped me synchronize, with less
agony, my own DAT audio tape and my friend's VHS video tape. Cheers.

Автор gspenceranderson (4 года)
Thank you for your compliments, Mr.M. Grant

Автор Billy Jeon (2 года)
WOW! You're just amazing! I have to play this piece for Area and Region
Band auditions and you played it so well! I was looking back at previous
comments/responses and I noticed that you use Vandoren White Master reeds.
I looked them up online and it said that they're designed specially for
German-style clarinet mouthpieces. Is it okay to use the White Master reeds
on regular (I mean the kinds used in the rest of Europe and America)
mouthpieces?

Автор gspenceranderson (4 года)
Thanks for your "amazing." And good luck on your solo contest. Get the
sound that you want inside your head, first, and then pick up the clarinet.

Автор Billy Jeon (2 года)
@gspenceranderson You're welcome. A player as good as you deserves
compliments! And okay thanks. I'm considering on buying those reeds now,
but how is the consistency on the reeds? Are there many good reeds per box
or only a few?

Автор gspenceranderson (2 года)
@goateater123 Sorry, but I'm not really sure. I cannot imagine why not,
however. Good luck, Grant

Автор emoknickersXcmgs (4 года)
So, I've been listening to a few versions and I've noticed that people seem
to skip the second written turn in the Adagion ma non troppo part. Is that
just because it makes playing with an Orchestra/Band accompaniament easier?
Also your playing is superb! I love it and find it very
inspirational!...and your expressiveness is outstanding! Total lyrical feel!

Автор gspenceranderson (2 года)
@trouble292 Hi Garrett, Thank you for your video response. I enjoyed your
performance on it (your playing and your band's playing, as well). At your
age, I could not have played as well, nor have even begun to memorize the
Concertino. Congratulations. Will you eventually perform and record the
Concertino's slow portion? I hope so. I'm curious how you did on your
college auditions (your comment from 6 months ago). I hope well. Continued
good playing, Grant

Автор gspenceranderson (5 лет)
Thank you for very much for your compliments. I'm not playing
professionally because (1) I don't believe my intonation and technique are
good enough, (2) when I graduated from high school and chose a profession,
my clarinet skills were far less than now (I've improved a lot as I've
lived, listened and practiced these fifty years since then), and (3) I
chose science as my profession, since that is not possible as a hobby. And
so I've had great fun in both science and music. Thanks again.

Автор Isidro Garcia (5 лет)
i love your tone!! it is one of the most beautiful tones i have ever heard!
thanks for putting this up!

Автор gspenceranderson (4 года)
Thank you for your compliments. Have fun when you play this piece---and
lots of other great music. If you have a pianist friend, try playing the
vocal line of Mozart's songs (Lieder). And listen to Barbara Bonney's CD of
them. Aim to "sing" on the clarinet, like she does with her voice.

Автор gspenceranderson (1 год)
You might try a softer reed. Please be aware, however, that your intonation
might suffer a little, because your embouchure will have more effect on
intonation with softer reeds. Mouthpiece and V-12 reed type? I don't know
their effects on tonguing. I use Vandoren White Master reeds on my Vandoren
5RV Lyre mouthpiece. Good luck and good playing in your solo contest. If
you're still having tonguing difficulties, just play it slower.

Автор gspenceranderson (4 года)
Thanks for your thoughtful comments, Daudert. I do agree that my dynamics
on the tape are too tame. At least part of that was the microphone
placement---80 feet away from me at the back of the hall. And so I had to
"push" most everything, thereby compromising dynamic range a bit. As a
result, up front was mf-to-ff, but only p-to-mf at the microphone. The
difficulty was retaining lyricism while pushing so much. A closer
microphone would have helped, right? Thanks again, Grant

Автор gspenceranderson (4 года)
Thank you for your great compliment. To play with a double-lip embochure,
I'd suggest you take a few lessons from someone who knows how to teach it.
This embochure is not easy. And unless you practice a lot, you might have
to support the bell of the clarinet with your knees (seated, of course).
Certainly it is not an embochure for marching band, for example. The best
of luck if you try double lip. Many professional clarinetists (of the
French tradition) use it.

Автор gspenceranderson (1 год)
First, thank you very much for your great compliments. For practicing:
Listen to many recordings, to decide how you want it to sound. Start
moderately slowly. Work phrase-by-phrase, always with dynamics. If you have
trouble with a measure inside a phrase, then practice that measure over and
over---slowly, then faster. Then practice the phrase again. Practice
intonation with audible tones, not with tuner's needles. In all, good luck
in working towards your D-exam, archerilse. Have fun with it.

Автор Oscar Soria (4 года)
@gspenceranderson I made it in the Marine Corps Band! :D

Автор gspenceranderson (4 года)
Thank you, Daniel, for your multi-compliment. Aspire away, and have fun.
Grant

Автор gspenceranderson (3 года)
That's absolutely wonderful. Have fun and good luck in your career. Grant

Автор Likeafoxow (4 года)
BRAVOOOO!!!! i loved your expression after you played that last F!

Автор gspenceranderson (4 года)
Thank you for your compliment. I tried to be lyric as if this were an opera
aria. And I aimed for "late classical" rather than "romantic." Grant

Автор gspenceranderson (2 года)
@bjeons Thanks for the compliment. And yes, it is okay to use the White
Master reeds on regular mouthpieces. That's what I do. The White Masters
are a little shorter and a little narrower than regular reeds. But they
still cover the entire width of the standard mouthpiece opening and even
allow a little left/right shifting when needed. ... Good luck with your
auditions. Grant

Автор gspenceranderson (4 года)
Hi Emily, Charles Neidich knows much, much more than I do about all this.
Thanks for relaying me his tonguing advice. And good luck. Grant

Автор gspenceranderson (5 лет)
Keep practicing. And listen a lot to great singers singing Schubert songs
and great pianists playing sonatas--the type of music that allows
unconstrained rubato. Grant

Автор marchingbandee7 (4 года)
That was brilliant! I also saw mention of a double-lip embochure - oddly
enough way back in elem. school when I started clarinet this is what I used
because I didn't like the vibrations the clarinet caused. Haha. But
learning the high notes ended up in too many bloody lips, so I had to
switch embochures. My lessons teacher suggested this video - I'll be
playing this for a solo contest. Thanks for the great performance!

Автор Jacquelyn Acaster (3 года)
I'm in love... it's so passionate!! I can only HOPE I can bring this piece
to life even half as much as this for festival!

Автор trouble292 (2 года)
@gspenceranderson Thank you for your compliments. :) unfortunately, I will
not be able to go back and record the slow portion. The concert was very
long already, and my band director had to cut it out for the performance.
:( I may be able to talk my college band director into letting me perform
it there. As far as college auditions go, I was accepted to almost
everywhere I applied (except Baylor). I decided to go to Stephen F. Austin
State University because it was a good fit...

Автор gspenceranderson (3 года)
@StealthTalons You're welcome. And thank you so much for your great
compliments. The best of luck in your audition. I'm happy that my recording
has helped. Grant

Автор gspenceranderson (4 года)
Thank you.

Автор scandal8095 (1 год)
Hi Mr. Anderson, I am a high school student who might perform this piece
for a solo contest this year. I am having difficulty with tonguing on parts
of it, is there some techniques that you know that could help? Also I am
playing on a Buffet R-13 clarinet with a Richard Hawkins mouthpiece, do you
know what type of reeds that will be good for it, I'm playing on Vandoren
V-12 size 3 1/2 right now?

Автор TheRoxster (4 года)
Truly a great rendition of this piece and the best I've heard thus far.
This is my inspiration for my college of music audition in three weeks.

Автор petterk1945 (4 года)
great sound!

Автор gspenceranderson (3 года)
@upasnarayan Thank you for your compliments. I'm glad you have found my
performance to be an example for your practice. Good playing and the best
of luck in your competition next year. Grant

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