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Автор SheetMusicVideo (5 месяцев)
I've just uploaded the original Partbook transcription published in 1608 of
"Solo e pensoso" https://www.youtube.com/watch?v=CRlidOGq41M

Автор Paolo Eriani (7 месяцев)

Автор Polomokipo23 (5 дней)
Luca Marenzio
( Coccaglio 1553-1599 Rome )
SOLO È PENSOSO I PIU DÉSERTI CAMPI Eternel grandiose une pure merveille
merci YouTube pou la video sublime.

Автор Bruno roversi (8 месяцев)
Sorpresa nel rileggere Petrarca.

Автор Orlando Furioso (9 месяцев)
Musica straordinaria

Автор Bruno roversi (8 месяцев)
Ricordi che pensavo persi si riaffacciano ora nei miei ultimi anni.

Автор tatti salles (1 год)
Palestrina, Gesualdo, Marenzio, Monteverdi...a polifonia italiana foi
realmente soberba!

Автор pidekaar (1 год)
No word can describe the beauty and power of this music.

Автор Just_Holly (1 год)
é orribile questo pezzo fa cagare!!!!!!!!!!!!!!!!!

Автор labarbarossa (1 год)
Yes. The pitch at the time in Italy was between 460 and 490 as we know from
surviving organs and wind instruments. @Sarah Barham, the tuning you hear
here is not equal temperament, rather an unequal tuning system used for
this repertoire called Meantone, where among other characteristics, the F
is high and F# low...

Автор WIGANDSW0RD (1 год)
Ah! The upper voice is so seductive. Like the perfect visage of a milkmaid
yet in tones says I! Aye! ;-)

Автор Jay Preis (1 год)
+Campbell Daniel Surely you don't actually believe they tuned to A440. A440
didn't become an std. until the 1950s, and then only after decades of
lobbying by American wind instrument makers. The tuning in the 16th c. was
based on the tuning of Renaissance winds, which were pitched about a m3
higher than A440.

Автор Vincenzo Romano (1 год)
Sorry, I don't get all about your musical comments....first time for
But I'm more concentrated on poetry.
You know about the author of it, Francesco Petrarca?
This sonet is coming from "Il canzoniere": more than 300 beautiful
sonets written around year 1350.

Автор labarbarossa (1 год)
In reply to Campbell Daniel, - the clefs used here denote that the piece
should be performed a fourth lower as was common practice at the time.

Автор Sarah Barham (1 год)
Something strange happens when the soprano sings E-F-F#. I think her F is
to high, and then when she sings the F#, it sounds like it was only a
quarter tone up from the F, rather than a semitone. Overall, a beautiful
recording, though, and I absolutely love this piece. That one place just
always sticks out to me. 

Автор Campbell Daniel (1 год)
why are the singers not singing the written pitch in the score? it's a 4th
lower. can anyone explain this?

Автор simone qa (2 года)
It is a low Mib !! They sing one tone lower..

Автор esed899 (3 года)

Автор bogtheforest (2 года)
I like the bass note at around 0:22.

Автор Gianluca Tagliazucchi (2 года)
Grande virtuosismo di scrittura: nelle prime 16 misure al canto c'è
un'intera scala cromatica che si estende per più di un'ottava.

Автор Fabio Mengucci (2 года)
che dolcezza...

Автор patr zakr (2 года)

Автор mincomposer (3 года)
the best one of Marenzio.

Автор Bronson Buskett (2 года)
Thank you for uploading this! love the smooth/faded page turns

Автор Monteverdiforever (2 года)
Uno dei madrigali più belli della storia della musica, interpretato
magistralmente da "La Venexiana".

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