Видео


Luca Marenzio - Solo e pensoso i piú deserti campi



Luca Marenzio (c.1553-1599) madrigal "Solo e pensoso i piú deserti campi". I've uploaded it in 720p HD to make the score easier to read in full screen.

First published in 1599 in "Il Nono Libro de Madrigali" performed by La Venexiana from their album "Il Nono Libro De Madrigali". Download it here: https://itunes.apple.com/album/marenzio-nono-libro-madrigali/id199770604

You can download the complete L'Arte Musicale in Italia, Volume 2 for free from the International Music Score Library Project (IMSLP.org) http://imslp.org/wiki/4_Madrigali_(Marenzio,_Luca)
or
BUY THE SCORE HERE: http://www.sheetmusicplus.com/search?Ntt=solo+e+pensoso+marenzio&aff_id=498263

Thanks to Alex Ross http://www.therestisnoise.com for introducing me to this wonderful piece.

Francesco Petrarca sonnett.
ITALIAN TEXT:
Solo et pensoso i piú deserti campi
vo mesurando a passi tardi et lenti,
et gli occhi porto per fuggire intenti
ove vestigio human l'arena stampi.

Altro schermo non trovo che mi scampi
dal manifesto accorger de le genti,
perché negli atti d'alegrezza spenti
di fuor si legge com'io dentro avampi:

sì ch'io mi credo omai che monti et piagge
et fiumi et selve sappian di che tempre
sia la mia vita, ch'è celata altrui.

Ma pur sí aspre vie né sí selvagge
cercar non so ch'Amor non venga sempre
ragionando con meco, et io co'llui.

ENGLISH TRANSLATION:
Alone and thoughtful, the emptiest fields
I'm measuring with my slow, tardy steps,
and with my eyes I'm running away
where not a single footstep is printed in the sand.

I can not find another possible shelter
to hide me from everybody's awareness,
because in all my acts, so lacking in joy,
it's easy to see, outside, how I'm burning inside;

therefore, I believe that all these mountains and beaches
and rivers and woods now know very well how cruel
is my life, which is hidden to men.

But I can not find paths wild and rough enough
to force Love not to walk on my side:
He keeps on speaking with me, and I with him.

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Добавлено: 3 года
Длительность: 6:14
Комментарии: 40

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Комментарии:

Автор SheetMusicVideo (4 месяца)
I've just uploaded the original Partbook transcription published in 1608 of
"Solo e pensoso" https://www.youtube.com/watch?v=CRlidOGq41M

Автор Paolo Eriani (5 месяцев)


Автор Bruno roversi (7 месяцев)
Ricordi che pensavo persi si riaffacciano ora nei miei ultimi anni.

Автор pidekaar (11 месяцев)
No word can describe the beauty and power of this music.

Автор Orlando Furioso (7 месяцев)
Musica straordinaria

Автор Bruno roversi (7 месяцев)
Sorpresa nel rileggere Petrarca.

Автор tatti salles (1 год)
Palestrina, Gesualdo, Marenzio, Monteverdi...a polifonia italiana foi
realmente soberba!

Автор Just_Holly (11 месяцев)
é orribile questo pezzo fa cagare!!!!!!!!!!!!!!!!!

Автор labarbarossa (1 год)
Yes. The pitch at the time in Italy was between 460 and 490 as we know from
surviving organs and wind instruments. @Sarah Barham, the tuning you hear
here is not equal temperament, rather an unequal tuning system used for
this repertoire called Meantone, where among other characteristics, the F
is high and F# low...

Автор WIGANDSW0RD (1 год)
Ah! The upper voice is so seductive. Like the perfect visage of a milkmaid
yet in tones says I! Aye! ;-)

Автор Jay Preis (1 год)
+Campbell Daniel Surely you don't actually believe they tuned to A440. A440
didn't become an std. until the 1950s, and then only after decades of
lobbying by American wind instrument makers. The tuning in the 16th c. was
based on the tuning of Renaissance winds, which were pitched about a m3
higher than A440.

Автор Vincenzo Romano (1 год)
Sorry, I don't get all about your musical comments....first time for
me.
But I'm more concentrated on poetry.
You know about the author of it, Francesco Petrarca?
This sonet is coming from "Il canzoniere": more than 300 beautiful
sonets written around year 1350.

Автор labarbarossa (1 год)
In reply to Campbell Daniel, - the clefs used here denote that the piece
should be performed a fourth lower as was common practice at the time.

Автор Sarah Barham (1 год)
Something strange happens when the soprano sings E-F-F#. I think her F is
to high, and then when she sings the F#, it sounds like it was only a
quarter tone up from the F, rather than a semitone. Overall, a beautiful
recording, though, and I absolutely love this piece. That one place just
always sticks out to me. 

Автор Campbell Daniel (1 год)
why are the singers not singing the written pitch in the score? it's a 4th
lower. can anyone explain this?

Автор simone qa (1 год)
It is a low Mib !! They sing one tone lower..

Автор esed899 (2 года)
meraviglia.

Автор bogtheforest (2 года)
I like the bass note at around 0:22.

Автор Gianluca Tagliazucchi (2 года)
Grande virtuosismo di scrittura: nelle prime 16 misure al canto c'è
un'intera scala cromatica che si estende per più di un'ottava.

Автор Fabio Mengucci (2 года)
che dolcezza...

Автор patr zakr (2 года)
beauty

Автор mincomposer (3 года)
the best one of Marenzio.

Автор Bronson Buskett (2 года)
Thank you for uploading this! love the smooth/faded page turns

Автор Monteverdiforever (2 года)
Uno dei madrigali più belli della storia della musica, interpretato
magistralmente da "La Venexiana".

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